| RECENT
SOLO AND TWO-PERSON EXHIBITIONS |
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| 2003 | Focal Point Gallery, Southend-on-Sea ENGLAND Belonging: Elia Alba & Cynthia Greig |
| Margaret Harvey Gallery, St. Albans, ENGLAND | |
| Weitman Gallery of Photographic Arts, St. Louis, MO | |
| Art Gallery of Windsor, Windsor, Ontario CANADA Little Things @Life-Size: Tyrone Brais & Cynthia Greig | |
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| 2002 | Studio 1650, Kessler-Francis-Cardoza, Detroit, MI |
| Moreau Art Galleries, St. Mary’s College, Notre Dame, IN | |
| Museum of Art, SUNY-Potsdam, NY | |
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| 2001 |
Gallery 44, Centre for Contemporary Photography,
Toronto CANADA |
| Urban Institute for Contemporary Art, Grand Rapids, MI | |
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| SELECTED GROUP EXHIBITIONS | |
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| 2004 | Grande
Halle de la Villette, Paris, France: Rencontres Internationales Paris/Berlin HTTP://WWW.ART-ACTION.ORG/SITE/EN/PROG/04/PARIS/31.HTM |
| Redcat
Theatre, Disney Hall, Los Angeles, CA: LA Freewaves-Inheritance http://www.freewaves.org |
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| Harvestworks, NY, NY Whiz Bang: Videos by Emerging Artists | |
| Urban Institute for Contemporary Arts, Grand Rapids, MI Portal Spaces | |
| The Library Company, Philadelphia PA and Bryn Mawr College Picturing Women: Historical Works and Contemporary Responses HTTP://WWW.PICTURINGWOMEN.ORG | |
| Gallery
44, Centre for Contemporary Photography, Toronto CANADA, Of Kith and
Kin: Susan E. Evans, Cynthia Greig & Richard H. Smith, Davida
Nemeroff HTTP://WWW.GALLERY44.ORG/EXHIBITIONS/KITH/KITH.HTM |
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| Houston
Center for Photography, Houston TX Truth Matters: The Meaning of Objects HTTP://WWW.HCPONLINE.ORG |
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| CEPA Gallery, Buffalo, NY In the Workspace HTTP://WWW.CEPAGALLERY.COM | |
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| 2003 | International Center for Photography, New York, NY Only Skin Deep: Changing Visions of the American Self ONLINE EXHIBITION HTTP://WWW.ICP.ORG/EXHIBITIONS/ONLYSKINDEEP |
| Center
for Photography, Woodstock, NY Managing Eden HTTP://WWW.CPW.ORG/EXHIBITIONS/2003/EDEN_KLAPSTOCK/EDEN/GALLERY_EDEN_2003.HTML |
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| Warren Robbins Gallery, The University of Michigan, Ann Arbor The Playground Show | |
| Green Lantern Studios, Mineral Point WI Inspiration Point | |
| Houston Center for Photography, Houston, TX HCP Fellowship Exhibition | |
| SPACES, Cleveland, OH Selections: John Benvenuto, Peter Dudek, Cynthia Greig, Cathy Smith & Lorraine Tady | |
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| 2002 | Carl Solway Gallery, Cincinnati, OH The Photographic Edge |
| Institute of Contemporary Art, London, ENGLAND After Dolly: Art, Science and Ethics Organized by the Compassion for World Farming Trust and Littoral Arts | |
| Museum of New Art, Detroit, MI Ground Zero | |
| Buckham Gallery, Flint, MI Black or White | |
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| 2001 | University Art Gallery, Central Michigan University, Mt. Pleasant, MI The Truth of Appearances:Cynthia Greig, Michael Hernandez de Luna & Peter Patchen |
| A.I.R. Gallery, New York, NY 4th Biennial | |
| Coconino Center for the Arts, Flagstaff, AZ ArtCultureNature | |
| Penelec Gallery, Allegheny College, Meadville, PA Apocalypse Noir | |
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| 2000 |
Detroit Artists Market, Detroit, MI Bounded Intervals:
Michele Brody, Cynthia Greig, Sheila Moss & John Roloff |
| Ukrainian Institute of Modern Art, Chicago, IL Curator's Choice | |
| Museum of Art, SUNY-Potsdam, NY American Identities | |
| Center for Photography at Woodstock, Woodstock, NY Future/Perfect: Modern Fables of Love, Death and Desire | |
| Buckham Gallery, Flint, MI Vision as Metaphor: John Dempsey, Cynthia Greig & Miriam Marcus | |
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| 1999 |
The Clement Gallery,Toledo, OH Embellished Truths |
| Detroit Artists Market, Detroit, MI The New Millennium | |
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| 1998 | The Soap Factory, Minneapolis, MN Ten |
| The Wright Museum of Art, Beloit, WI Looking Twice: Cynthia Greig and Michael Hernandez de Luna & Michael Thompson | |
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| 1997 |
Gallery Northwest. Indiana University, Gary, IN
Reversing the Gaze: Women Looking at the Male Nude Institute for
the Humanities, The University of Michigan, Ann Arbor, MI, Images
& the Imaginary |
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| 1996 |
Matrix Gallery, Ann Arbor, MI Group Consequences:
Greig, Keller, Mann, Nielsen & Skabelund |
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| 1995 | SFCamerawork, San Francisco, CA Bodies of Evidence: Julie Blankenship, Christine Dallas, Cynthia Greig & Jin Lee |
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| 1994 | The Alternative Museum, New York, NY National Showcase Exhibition |
| The Houston Center for Photography, Houston, TX The Visual Diary | |
| Woman Made Gallery, Chicago, IL Beyond Words | |
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| 1993 | A.I.R. Gallery, New York, NY, State of the Arts |
| Kresge Art Museum, East Lansing, MI 13th Michigan Biennial | |
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| 1992 | Urban Institute for Contemporary Art, Grand Rapids, MI Cynthia Greig, Diane Neumaier & Carol Novak |
| Detroit Artists Market, Detroit, MI Pieced Work: Dusty Fleming, Cynthia Greig and Carole Zak | |
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| RECENT AWARDS AND HONORS | |
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| 2004 | Santa Fe Center for Photography, Assignment Earth Award |
| 2003 | Houston Center for Photography, HCP Photography Fellowship |
| 2001 | Light Work, Syracuse, NY, Artist-in-Residence |
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| SELECTED BIBLIOGRAPHY | |
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| 2003 |
Jessica Lack. “Belonging” The Guardian
Guide (London, UK) Sept. 13-19, 34. |
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| 2002 | Doug
Trapp. “Getting the Picture,” City Beat (Cincinnati, OH)
December 26-31, 41. Jason Lahr. Cynthia Greig: Little Differences. Brochure essay. Moreau Art Galleries, Notre Dame, IN. Jeff Hoone. Contact Sheet Annual 117, Syracuse, NY: Light Work, 22-27. Roger Green. “Sept. 11 Collides with Art.” Ann Arbor News, September 10. Carol Novak.”Review of Cynthia Greig at UICA,” New Art Examiner, March/April, 83-84. |
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| 2001 | Julie
Johnson. "The Return of Beauty in Contemporary Art and Art History,"
in Rendezvous, Pocatello: Idaho State University, Vol. 36, No. 1,
Fall, 1 - 21. Katy McCormick. The Bride Wore Trousers. Brochure essay. Gallery 44, Centre for Contemporary Photography, Toronto. Behind the Lens. Featured in documentary on contemporary photography, CTV, Canadian Television, Claude Barnes and J. D. Hazen, Producers Peter Goddard. “Imaginary Artist,” The Toronto Star, June 7, G10. Roger Green. “Artist Expresses Nightmares in Work, Muskegon Chronicle, November 22, 4D. Julia Morrisroe. The Truth of Appearances. Brochure essay. University Gallery, Central Michigan University. |
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| 2000 | Bounded
Intervals. Exhibition catalogue, Detroit Artists Market, 6-7. Dan Mills. American Identities. Exhibition catalogue. SUNY-Potsdam Museum of Art. Jan Worth. "Buckham Exhibit is Passionate and Personal," The Flint Journal. March 19, F4. |
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| 1999 | Cynthia Morgan. “Review of ‘Ten,’” New Art Examiner, March, 62-63. |
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| 1998 | Institute
for the Humanities 1996-97 Annual Report, 6, 12, 16, 26. Patricia Briggs. Review of "Ten, ”City Pages (Minneapolis, MN) October 7, 27-28., |
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| 1997 | Diane Kirkpatrick. Images and the Imaginary. Brochure. Institute for the Humanities, Ann Arbor. |
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| 1996 | J.
Carlos Cantu. "Avant to be Loved," The Ann Arbor News, September
28, D1-2. Carol Novak. "Art Moves into the Closet," Agenda (Ann Arbor, MI) January, 14. |
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| 1995 | Cynthia
Morgan. Review of Matrix Gallery exhibition. New Art Examiner, February,
46. Carol Novak. "C. S. Greig: Reinventing One's Identity," Michigan Photography Journal, 14-15. “Bodies of Evidence,” Camerawork, Fall/Winter, 41-42. |
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| 1994 | Patricia
Lee Yongue. "The Rite of Women's Autobiography, Spot (Houston,
TX) Spring, 13-14.” J. Carlos Cantu. “Photographs Challenge Gender Stereotypes,” Ann Arbor News, September 29, 8. Whitley Setrakian . Review of Matrix Gallery exhibition. Ann Arbor Observer, October, 95. |
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| 1993 | Phylis Floyd. Thirteenth Michigan Biennial. Exhibition catalogue. East Lansing: Kresge Art Museum, |
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| 1992 | Sara Albert. Review of UICA Exhibition. The Grand Rapids Press, December 23, D6. |
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| EDUCATION | |
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| 1995 | The University of Michigan School of Art + Design, Ann Arbor: MFA |
| 1988 | The University of Iowa, Iowa City: MA in art history |
| 1981......... | Washington University, St. Louis: BFA in printmaking |
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| CONTACT | |
| cynthiagreig2004@yahoo.com | |